Latest News
Bare Root, Group Show, Wexford Arts Centre, Wexford County Council, 23rd October - 1st December 2017 
::
Marbel House Project Residency, October 2017.
::
'Pathway' a collaborative art commission between artists Catherine Fanning, Brigitta Varadi  and residents of Nazareth Village, September 2016- July 2017.The commission is funded by the Per Cent for Art Scheme, managed and administered by Sligo County Council Arts Office in partnership with Nazareth Housing Association. Opening Reception: Wednesday, 19th July 2017, 2-3pm, Nazareth Village, Church Hill, Sligo
::
'Jelölés | Marking' Solo Show, Budapest GalleryHungary, April 25th June 4th 2017
curated by Szegedy-Maszák Zsuzsanna & Török Tamás, 

::

ArtSlant Prize 2016 Grand Prize winner.

Essay, Marking Memory by Andrea Alessi.
ArtSlant prize winners Exhibition, Spring Break Art Show, NY. February 28th – March 6th, 2017.

 ::

'Currently 80' Curated by John Yau,
Sculpture Guild, Westbeth, NY. Februar 5th-24th 2017

::

Public Art Commission, Per Cent for Art Scheme, Sligo County Council in partnership with Nazareth Housing Association. In Collaboration with Artist Catherine Fanning

::

VISUAL ARTISTS IN PRISON SCHEME AWARD, Castlerea Prison, Co.Roscommon Ireland, December 2016. The Award is co-funded by the Arts Council of Ireland and the Department of Justice, Equality and Reform and administered by the Prison Education Service. 

:: 

'What if we got it wrong' curated by Nora Hickey M’Sichili, Traveling Exhibition 
West Cork Arts Centre, 29.10-13.12.2016
Leitrim Sculpture Centre, 16.09-16.10.2016
Wexford Arts Centre, 10.06-29.07.2016
F.E.McWilliam Gallery, N.I. 12.02-16.04. 2016
Centre Culturel Irlandais, 25.09-4.11 2015 
Login

Entries in Andrea Alessi (1)

Wednesday
Mar082017

Essay, Marking Memory

BRIGITTA VARADI: MARKING MEMORY

BY ANDREA ALESSI

This essay was first published in the ArtSlant Prize 2016 Catalogue, on the occasion of the ArtSlant Prize Shortlist exhibition at SPRING/BREAK Art Show, from February 28–March 6, 2017. Brigitta Varadi is the ArtSlant Prize 2016 Grand Prize winner. Other ArtSlant Prize 2016 catalogue essays: Tiffany Smith & Sterling Crispin

'In some way, all things are congealed moments in a longer social trajectory. All things are brief deposits of this or that property, photographs that conceal the reality of the motion from which their objecthood is a momentary respite.

—Arjun Appadurai, “The Thing Itself” [1]

To hear Brigitta Varadi talk about sheep is to hear her effuse about something bigger than wool, felt, or the declining carpet and farming industries in the remote corner of North West Ireland where she lives. Her animated descriptions of how highland farmers mark and identify their sheep spin into ruminations on knowledge, memory, commerce, and social relations—and how each may be sketched onto downy fleeces or mapped onto the rural landscape. '  Read the full essay: please click here